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My work emerges from memory's shadows, where domestic objects become archaeological sites of buried histories. Through bird paintings and neon installations, I excavate the melancholic residues of family narratives, transforming maternal imagery into sites of both intimacy and historical reckoning.

Each piece functions as a fragment of incomplete autobiography, where personal mythology intersects with collective trauma. The cheerful surfaces of my animated canvases conceal deeper sediments of loss and displacement- echoing the post-warg eneration's inherited silences. My installations operate through a methodology of subtraction, removing layers to reveal what remains unspoken beneath cultural symbols.

This practice of slow revelation mirrors the way traumatic memory surfaces - not as direct narrative but through displaced objects, inherited gestures, and unconscious repetitions.

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